Articles

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  Explorations

  I Want My MTV, We Want Our TMF: The Music Factory, MTV Europe, and Music Television in the Netherlands, 1995-2011

  Jaap   Kooijman

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 93-101
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  Explorations

  From PSB to Privatisation: Structures and Vulnerabilities of the Greek-Cypriot Broadcasting Sector

  Theodora A.   Maniou

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 102-112
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  Explorations

  The Winding Road on the Media Landscape: The Establishment of Estonian (Television) Broadcasting between 1992 and 2016

  22 Sep 2017

  6 ( 11 ) : 113-123
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  Discoveries

  ‘Remember, it’s Just Television’: Rubicon TV and the Commercialisation of Norwegian Television

  Eva   Bakøy ,  Vilde Schanke   Sundet

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 53-69
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  Discoveries

  TV Commercials' Second Life: Commercials as Remembrance Culture in the Netherlands

  Krystyna   Biernawska

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 41-52
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  Discoveries

  Canal + Spain and Live Football Broadcasts: A Whole Different Game

  Vicente Rodríguez   Ortega ,  Rubén   Romero Santos

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 33-40
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  Discoveries

  A Slippery Slope: The Rise and Fall of the Domestic Soap Opera in Italian Public and Commercial Television

  Daniela   Cardini

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 22-32
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  Discoveries

  East Meets West: The Cultural History of Television in Bulgaria

  Elza   Ibroscheva ,  Maria   Stover

  • PDF (EN)

  22 Sep 2017

  6 ( 11 ) : 6-21
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  Editorial

  Editorial

  
  

  22 Sep 2017

  6 ( 11 ) : 1-5
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  Explorations

  Small Change – Big Difference: Tracking the Transmediality of Red Nose Day

  Matthew   Freeman

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 87-96
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  Explorations

  Emergent Principles for Digital Documentary

  
  

  Richard   Lachman

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 97-109
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  Explorations

  Korsakow Perspective(s): Rethinking Documentary Knowledge in Digital Multilinear Environments

  Franziska   Weidle

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 110-123
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  Explorations

  A Transmedia Topology of Making a Murderer

  
  

  Alan   Hook ,  Danielle   Barrios-O'Neill ,  Jolene   Mairs Dyer

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 124-139
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  Discoveries

  Story, History and Intercultural Memory: Can a Transmedia Approach Benefit an Archive-Based Documentary Project?

  Marida   Di Crosta ,  Anita   Leandro

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 4-21
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  Discoveries

  Interactive Graphic Journalism

  
  

  Laura   Schlichting

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 22-39
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  Discoveries

  Aligning Participation with Authorship: Independent Transmedia Documentary Production in Norway

  Joakim   Karlsen

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 40-51
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  Discoveries

  Crossroads: Life Changing Stories from the Second World War: A (Transmedia) Storytelling Approach to World War II Heritage

  Licia   Calvi ,  Moniek   Hover

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 55-66
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  Discoveries

  I’m Sorry I Don’t Have a Story: An Essay Involving Interactive Documentary, Bristol and Hypertext

  Adrian   Miles

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 67-86
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  Editorial

  Transgressing the Non-fiction Transmedia Narrative

  
  

  Arnau   Gifreu-Castells ,  Richard   Misek ,  Erwin   Verbruggen

  • PDF (EN)

  31 Dec 2016

  5 ( 10 ) : 1-3
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  Explorations

  Television Format as Cultural Negotiation: Studying Format Appropriation through a Synthesizing Approach

  Heidi   Keinonen

  • PDF (EN)

  01 Aug 2016

  5 ( 9 ) : 60-71
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  Explorations

  Measuring Transnationalism: Comparing TV Formats using Digital Tools

  Edward   Larkey ,  Landry   Digeon ,  Ibrahim   Er

  • PDF (EN)

  01 Aug 2016

  5 ( 9 ) : 72-92
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  Explorations

  Aesthetic Proximity: The Role of Stylistic Programme Elements in Format Localisation

  Jolien   van Keulen

  • PDF (EN)

  01 Aug 2016

  5 ( 9 ) : 93-104
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  Explorations

  Meet the Predators: The Branding Practices Behind Dragons’ Den, Shark Tank, and Höhle der Löwen

  Sabine   Baumann ,  Ulrike   Rohn

  • PDF (EN)

  01 Aug 2016

  5 ( 9 ) : 105-115
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  Explorations

  Critically Acclaimed and Cancelled: FX's The Bridge, Channel as Brand and the Adaptation of Scripted TV Formats

  Michael L.   Wayne

  • PDF (EN)

  01 Aug 2016

  5 ( 9 ) : 116-125
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  Discoveries

  Transforming 'Female' Programmes: Don’t Tell the Bride from International TV to Italian Digital Channels for Women

  01 Aug 2016

  5 ( 9 ) : 6-16